Little children, it is the last time: and as ye have
heard that antichrist shall come, even now are there many antichrists; whereby
we know that it is the last time.
John 2.18
Most scholars, writers, and readers might agree that African American
literature consists of orature (oral literary creations) and writings by people
of African descent in the United States from the colonial period to the
present. Once we move beyond so simple a definition, we forced to navigate a
swamp of competing claims.
The
definition of what was called Negro literature from the colonial period up to
the 1960s was challenged by two of LeRoi Jones' (Amiri Baraka's) essays
---"Myth of a Negro Literature" and "Black Writing" --in Home: Social Essays (New York: William
Morrow, 1966). Following the spirit of Richard Wright's "Blueprint for
Negro Writing" (1937), Baraka argued successfully that Negro literature
was created more for the inspection of white people than as a body of work that
directly addressed the needs of African Americans; he called for black writing
or black (African American) literature that would speak directly to black
people. Thus, a new definition of African American literature came into being
in the 1960s.