Showing posts with label W: Piri Thomas. Show all posts
Showing posts with label W: Piri Thomas. Show all posts

Monday, November 3, 2014

A Good Influence: Writers on the Authors and Texts that Influenced Them

[by Meredith Wiggins]

The pleasures of Shay Youngblood's Black Girl in Paris (2000) are many and vast, but one of the most prominent is the chance to follow along as main character Eden, a would-be writer, attempts to grapple with the literary legacy of James Baldwin, whose writing inspired her to move to Paris.  The novel is rich with references to Baldwin and his body of work; he even appears briefly as a character, wordlessly blessing Eden's efforts as a writer.

It's clear that Baldwin's writing means as much to Youngblood as to her protagonist.  Her choice of setting, her invocation of queer themes, her Baldwin-esque ruminations on art, sex, race, and home--all speak to a deep love that requires textual engagement to be fully explored.

Reading this novel got me interested in compiling a list of some other authors' major influences. 



Monday, September 29, 2014

Afro-Latin@ Writers and Scholars: Piri Thomas


[by Meredith Wiggins]

In honor of National Hispanic Heritage Month (September 15 - October 15), the HBW Blog will be featuring short weekly posts on Afro-Latin@ writers and scholars.  Today, we feature Nuyorican writer and poet Piri Thomas.

In a 1998 interview with In Motion Magazine, Piri Thomas said that he was inspired to begin writing when, as a child, he noticed that "The stories on the radio were about Jack Armstrong, the All-American Boy, and Terry and the Pirates, but there was never one story about Pancho, or Maria, or Jose."

His own name reflected that tension.  Born Juan Pedro Tomas, his name was soon anglicized to John Peter Thomas--a change he didn't care for, opting to go by Piri, his mother's nickname for him.  That sense of racial and cultural isolation haunted the late Thomas (1928-2011), a poet, novelist, and memoir-writer born to a Puerto Rican mother and Cuban father in the Spanish Harlem section of New York City.  Issues of racial, ethnic, and national identity permeate Thomas's works, including,  most famously, his 1967 memoir Down These Mean Streets.