By listing 88 books published between 1751 and 2002, the Library of Congress seeks to begin “a national conversation on books written by Americans that have influenced our lives whether they appear on this initial list or not.” . You can take an online survey on the list at http://www.loc.gov and nominate other titles for inclusion. It is likely much of the conversation will be conducted in social networks, in media that encourage rants or snippets of opinion more than sustainable conversations. Conversation in twenty-first century America is a fossil, one of the lost human arts.
Monday, July 30, 2012
The Shaping of Americans
[By Jerry Ward]
By listing 88 books published between 1751 and 2002, the Library of Congress seeks to begin “a national conversation on books written by Americans that have influenced our lives whether they appear on this initial list or not.” . You can take an online survey on the list at http://www.loc.gov and nominate other titles for inclusion. It is likely much of the conversation will be conducted in social networks, in media that encourage rants or snippets of opinion more than sustainable conversations. Conversation in twenty-first century America is a fossil, one of the lost human arts.
By listing 88 books published between 1751 and 2002, the Library of Congress seeks to begin “a national conversation on books written by Americans that have influenced our lives whether they appear on this initial list or not.” . You can take an online survey on the list at http://www.loc.gov and nominate other titles for inclusion. It is likely much of the conversation will be conducted in social networks, in media that encourage rants or snippets of opinion more than sustainable conversations. Conversation in twenty-first century America is a fossil, one of the lost human arts.
Wednesday, July 25, 2012
Prof. Jerry Ward--Lectures in China
[By Jerry Ward]
To address the growing interest in African American
literature and culture at HuaZhong Normal University (Wuhan) and other
institutions in China, I have given lectures there since 2009. Chinese auditors, however astute and savvy
they are, may be easily confused by the literary critical games played in the
West. Often they do not understand the
cultural dynamics of academic trends.
Why do Western critics so dread the
absolute, the essential, and the certain?
The reasons, of course, are at once philosophical, racial, and
political. One must exercise care in
explaining that the universal is not
universal but merely a smokescreen for intellectual hegemony, that deconstruction can too often be a
weapon of massive destruction.
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