
Pym restores the centrality of Edgar
Allan Poe’s only novel, Narrative of Arthur Gordon Pym (1838), in American
Studies. It confirms that white cannot
possess “the perfect whiteness of snow” without a drop of black. “Whatever twentieth-century ‘whites’ think
about ‘blacks,’ according to Joseph R. Urgo’s Novel Frames: Literature as Guide
to Race, Sex, and History in American Culture (Jackson: University Press of
Mississippi, 1991), “they owe their existence ---politically and culturally,
and in many cases, genetically --- to those same black drops”(19).
American gatekeepers, especially the neoconservative ones, thrive in the sugar ditch of binary thinking.
From time to time, however, a few of them recognize society has more than two dimensions. Literature does sometimes manage to make an effective wake-up call. Consider Charles Johnson’s Middle Passage. That novel appropriated segments of Herman Melville’s classic “Benito Cereno” to create a new, post-whatever African American narrative and to give “double consciousness” a proper burial. Mat Johnson goes a step further. He creates a smart American narrative that guarantees the kind of immortality evoked in William Shakespeare’s Sonnet 81: When all the breathers of this world are dead/ You still shall live – such virtue hath my pen --/Where breath most breathes, even in the mouths of men.
By resurrecting and blackening Edgar
Allan Poe, Mat Johnson precludes the death of American literature and the
obliteration of “whiteness.” We now have
666 dimensions of consciousness.
Ethiopian
hieroglyphics live.
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